Agenda
Contest of the most beautiful festive tables by WawwLaTable x Paul Bert Serpette
This year, WawwLaTable and Paul Bert Serpette are joining forces to elect the most beautiful Holiday table on the Market. This is an opportunity for antique dealers to present magnificent pieces of Tableware or to let their creative spirit speak for themselves…
Collector and decorator, Céline Faraud Luzu offers a first installation at the Pradier-Jeauneau gallery Between December 02 and 18, we will be able to discover her universe, a warm atmosphere, a subtle balance between design and craftsmanship, signed pieces and antique furniture with care, weathered by time, in a family home spirit When the Pradier-Jeauneau gallery offered me…
Emä Léonie (born in 1973 in Rouen) lives and works in Paris. Trained in Applied Arts, sculpture and molding, she worked from 1995 for theatre, opera, cinema or for private projects, creating sets and props. From 2012, she devoted herself entirely to ceramic sculpture and became a teacher. She has been exhibiting since 2019: Galerie Art Vivienne, Paris 2nd (2019); YNGSPC Gallery and The Pit…
Swords, sabres, halberds, pertuisanes and cutlery are honored at the Carré, stand 9 alley 3 Serpette
Since 2018, Maison Verrsen has exhibited each year a selection of mountain furniture designed by Charlotte Perriand, for the major project that was Les Arcs.
Long shunned, Charlotte Perriand's work in the mountains is nevertheless a major part of her career, she devoted herself to it from the 1930s.
Passionate skier and sportswoman, she will put her mountaineering experience at…
PRADIER-JEAUNEAU GALLERY presents
MARCEL GASCOIN
rebuilding France
From January 06, 2023 to February 19, 20233
Faithful to their desire to represent those who shaped the era , Aurelien Jeauneau and Jérémy Pradier defend Marcel Gascoin today.
THE EXPO
From the status of pre-war decorator to that of avant-garde…
The form is born from an abstract geometric line, long pondered, the colors thought out. The pictorial material of the inks then flows beyond the line, thus letting chance create its landscape.
E. Fructus seeks a place for the forgotten. Thousands of photos of abandoned, forgotten anonymous people are collected by the artist, who cuts them out to extract human forms from their context and classify them, meticulously, to create large compositions where the anonymous person finds meaning in his story. .