A very large modernist storage unit in solid mahogany, made in the 1940s by an anonymous cabinetmaker. With its imposing dimensions and radical lines, this piece conveys an architectural presence, blurring the lines between functional furniture and domestic structure. Its rigorously symmetrical composition features a wide, open central section punctuated by two shelves, flanked by two lateral sections with doors arranged in superimposed horizontal bands, accentuating the effect of mass and stability. Highly functional, its two doors open to reveal two removable shelves thanks to an ingenious credenza system, typical of the Art Deco period. The overall aesthetic of this piece oscillates between a deliberate brutalism and a deliberate modernism. Brutalist in its deliberately monumental scale and in its direct relationship to the material, where the wood is left expressive, dense, almost earthy. Modernist in its rigorous design, the complete absence of ornamentation, and the pursuit of a precise balance between horizontal and vertical lines, this piece is a testament to modernism. The woodwork, understated yet masterful, highlights the natural grain and variations in color, reinforcing the impression of raw material tamed by design. This formal style is reminiscent of certain post-war French designs: one thinks in particular of Pierre Gautier-Delaye or René-Jean Caillette for their restrained monumentality, but especially of André Sornay in his approach to composing powerful and rational volumes, or of Michel Duffet for his method of transforming furniture into a true element of interior architecture. This piece has been fully restored and varnished, and is in superb condition.
Dimensions:
Width: 300 cm
Depth: 43 cm
Height: 141 cm
For more images: maisoncedric.com
Art direction: @adelemeunier
