A remarkable piece of solid oak woodwork, this low sideboard is in keeping with the tradition of sacristy furniture and the highly skilled craftsmanship of the late Renaissance and early Baroque periods.
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Du 13 juin au 30 aout 2026
Installé à Paul Bert Serpette, FCP Coridon disperse, à partir du 13 juin 2026, la collection de Jean-Pierre Dutilleux, constituée d’un ensemble de plus de 300 objets et 400 photographies du…
From May 1, 2026
With this exhibition, Nima Torbati brings together a collection of pieces centered around stone, where each artist engages in a direct relationship with the material.
The ceramics of Agathe Larpent…
Portraits
When furniture becomes manifest
There are objects that tell the story of an era better than a history book. The SCAL n°450 bed by Jean Prouvé is one of them.
Designed in 1952, this model became in…
André Arbus (1903–1969) occupies a unique place in the landscape of 20th-century French Decorative Arts. Trained in Toulouse in the family cabinetmaking workshop, then at the Beaux-Arts, he developed…
It's impossible to walk past this elm sideboard without slowing down. Made in France in the 1950s or 60s, it unfolds its 2.65 meters with a rare, almost theatrical presence. Its robust silhouette…
Pierre Sala's Piranha Chair (1983): When Design Becomes Scenography
Created in 1983, Pierre Sala's Piranha chair stands out as one of the most singular objects of French postmodern design. Made of…