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SELECTION OF THE SPECIAL WEEKEND FESTIVAL OF MOTHERS Attention, May 31st is fast approaching! As every year, mothers will be honored this Sunday Paul Bert Serpette offers you now a selection of proofs of love offbeat, original and refined To the traditional jewelry are added surprising pieces and full of humor ... Inspire yourself!
Collier, Jakob Bengel, Idar-Oberstein, Germany, 1925 Andrea Guinez , Alley 3, booth 58, Paul Bert. This chic metal casting embodies the skin as a mesh. Industrial era and its technical workings. Its quincunx mesh, called "Brickwork", is a meticulous and rigorous work. For the cinephile mothers, it is a necklace worthy of Metropolis.
Pair of hands in gilt bronze, Circa 1980 Patrick Chassang , Alley 2, booth 2, Serpette. At the traditional ringer, we prefer these two elegant hands that seem to agitate their fingers under our eyes. Completely 70, their feminine grace is sublimated by the golden a bling-bling nothing that covers them. A table of dining room or on a row, in an entrance or in a room, guaranteed effect!
Marie-Laure Chermezon and Patricia Timsit, Alley 1, booth 30 bis, Serpette. Proof of uncontrollable love, the ring remains the excellence gift of the festival of Mothers. Here, four rings trimmed with onyx, tiger's eye, agate and turquoise, are superimposed to give once donned an impression of movement and joyful and colorful agitation. A beautiful combination of colors for a gay rendering and cool.
Liliput pistol, caliber 4.25, steel and mother-of-pearl, Austria, 1926 The Weapon Exchange , Alley 1, booth 3-4, Serpette. Who said weapons should be reserved for men? This tiny gun decorated with mother-of-pearl slips into the smallest handbag for discretion. Elegant, it suits the Bonnie Parker who is sleeping in all mothers. An offbeat gift that will undoubtedly. Envious among fathers and sons.
Molding, fiberglass, circa 1970 Raphaël Druet , Alley 1, booth 136, Paul Bert. If your mother runs vernissages and never fails an exhibition of contemporary art then your gift is all found! This casting of an orange all 70 realized by an artist from its own behind recalls the audacity of the castings of Yves Klein late 1950 - beginning 1960. The blue and the plaster gave way here to a fiberglass orange Pop Art way. Offered to a woman, this posterior assumes a feminist dimension. A time when everyone was at the stadium or in front of the TV to savor these moments of popular jubilation ... even Madame!
End of the 19th century Guy Ansellem , Alley 7, booth 406, Paul Bert. An exceptional refinement, these toilets are decorated with a rare delicacy Pure object of decoration, it will delight the women of taste. Because, beyond their function, this is a piece of museum quality that one would swear out of the apartments of George Sand. Coquetry up to the basin, that is enough to delight the most modest of moms!
Walter Spitzer, 1985 Steve Ciccotti , Alley 1, booth 102, Paul Bert The Walter Spitzer, Walter Spitzer, Steven Ciccotti , Nativity scene, by Walter Spitzer Evokes birth and motherhood in a shimmering and joyful universe. Its ethereal and dreamlike atmosphere echoes Chagall's canvases. It is a peaceful and confident world that is headed for a quiet future away from the violence and brutality of men.
Pair of shoes, Pure Chocolate, Paris, late 1970 Patricia Atwood , Alley 2, booth 7, Serpette. Sculptural, these shoes defy the law of gravity and adventurous is the one who dares to put on! Placed on a pedestal in profile, they offer all their architectural complexity which makes it much more than shoes. Their japanese look combined with the card game pattern that adorns the kick gives them a cinematic aura.
The Parisian crowd, Henry Somm, 19th century Arsinopia , Alley 3, booth 1 bis, Serpette. Long before Ines de la Fressange, the Parisians were already objects of fascination ... and watercolor. Immortalized among the crowd of Montmartre, this elegant Black clothes stands out from the onlookers, its solitude and its pace making it an object of curiosity and seduction. For mothers in love with the verses of Baudelaire in a passer-by, this small painting is well worth every poem.